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Kiiko Matsumoto is internationally known for her scholarly
work on acupuncture and interpretation of Chinese Classical texts as
well as her dynamic and powerful treatment style.
She graduated from Tokyo Kasei University with a Bachelor's
Degree in Nutrition and then studied Acupuncture at the Japan Central
Acupuncture & Moxibustion College in Tokyo. As additional studies
Kiiko completed a degree in classical and modern Chinese. She worked
for 2 years as an Editor of Acupuncture Medical Textbooks for Ido-No-Nippon-Sha,
the foremost oriental medical publisher in Japan. She worked on 5 texts
including a translation of the Su Wen. She still regularly publishes
articles in the Ido-No-Nippon acupuncture magazine and has made two
video series for them.
She has studied with numerous Japanese acupuncture
Masters among them Dr. Yoshio Manaka, Master Osamu Ito, Master Kawai
and most extensively with Master Kiyoshi Nagano. She also studied with
shiatsu Masters Kuzome and Nasako. Kiiko has integrated teachings from
each of these Masters, together with her studies of Classical Chinese
texts and her own vast clinical experience to form her own unique style
of treatment.
She has four important books published to date: Five
Elements and Ten Stems; Extraordinary Vessels; Hara Diagnosis: Reflections
on the Sea and her latest, Clinical Strategies - in the Spirit of Master
Nagano. She also contributed "scholarly archaeology of pre-Tang-dynasty
texts" to The Web That Has No Weaver by Ted Kaptchuk. She teaches
regularly at the Tri-State Institute of Traditional Chinese Acupuncture
in New York as well as lecturing internationally, including Japan.
Her private practice is in Massachusetts, USA.
Kiiko Matsumoto's principle
dedication is to her research of the Chinese Medical Classics and
her goal is to make a contribution to acupuncture practice in the
West.
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In 2002 Kiiko was awarded the highly
prestigious Manaka Prize, for furthering the development of
acupuncture in Japan with particular emphasis on explaining
the Classics.
Left: Kiiko holding the
Manaka Prize scroll.
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